Saturday, April 9, 2016

Romney Fleece #4179

I'm not certain if #4179 refers to a sheep or the fleece...The greasy label that came with the fleece indicates that I'm playing with the first shearing of a yearling from Elihu Farm, which is in Valley Falls, NY and is owned by Mary and Bob Pratt.
I love the color in the fleece, a combination of brown and grey that has a bluish appearance.  It's remarkably soft, too.

The skein

Which was a batt, which before that was scoured fleece that began as a greasy fleece with some vegetable matter.

I'm slowly working my way through the fleece, occasionally scouring a batch, carding it and spinning a 2-ply skein. Oogy wonders if it has told me what it will be yet...I heard "poncho", but I'm waiting for confirmation on that.

Sunday, January 24, 2016

heritage sweater progress

The sweater evolves!

We've reached the armhole, folks.  You'll notice that I've had some difficulty deciding what cable pattern to use.  Another odd design feature to match the specks of un-dyed yarn.

My dad has dug out the old sweaters that his mom made for him, but the one that I'm replicating doesn't seem to be among them, based on the descriptions I heard over the phone. Or, it's quite possible that I'm remembering, or not remembering the sweater accurately.  Memory is notorious for being inaccurate, despite our perceptions of remembering something in vivid detail!

Thursday, January 21, 2016

New Heritage Sweater

My grandmother taught me to knit when I was 7.  I have no actual recollection of the learning process, but have pieced together evidence that it happened then.  It wasn't until I was 20 that knitting appealed to me, and then it quickly became the obsession that it remains today.  I have wondered how much that early experience laid the tracks for this intense focus on all things yarn.  I know that I greatly admired my grandmother, and over the years I have seen, and even worn, some of her beautiful work. I acquired from my dad one sweater that I liked very much: a dark red pull-over that had one cable along the side, with twisted rib edges and a wide, high neck.  It was frayed around the edges when I got it, and I wore it that way for awhile. I don't know what happened to the sweater, and I had not thought of it in years (Okay, DECADES) until last month when Oogy gave me some undyed Cascade 220 to play with.  Something about the yarn's heft and ply made me think of the frayed red sweater.

I dyed it with ProChem dye "cape cod cranberry".  My dye pot would hold only 3 skeins, so there are 2 dye-lots that miraculously appear to be the same color. 
They are not perfect--some areas around where the skeins were tied did not get saturated with the dye, so there are intermittent light spots. I have convinced myself, and have been encouraged by a few Camel Knitters, to accept these as legitimate design elements. 

I'm replicating the frayed red sweater that Grandma made for Dad, updating the style just a bit.


Friday, January 15, 2016


Each time I begin a new fair isle project I rediscover how much I enjoy watching the yarn transform into a pattern.  And then, it transforms again when it gets washed and the stitches gel.
Harrisville Shetland Cones in White and Tundra

Rows 1-30, Chart A of Crazed Scandinavian Cowl by Wendy Johnson

Once it's washed, the pattern is very clear and the yarn loses it's stiffness.

Friday, June 12, 2015

Spinning my wheel

It's always so much fun to get back to spinning, to re-expand the craft repertoire beyond the simplest of knitting projects, to dive into a new project.  I was inspired this week when a few of the Camel Knitters Guild members were describing with amazement a pattern on Purl Bee, the Bias Stripe Wrap.   The suggested yarn is described as over-twisted, which is essentially a singles that is meant to be plied.  I've been working with a batt that is a combination of cream, green and silver that I have named silver moss.  As I have been filling the first bobbin, I realized that the real beauty of the yarn is going to be diminished by plying, but I'm not very good at spinning singles yarn that is not biased. Then comes along Bias Stripe Wrap, and an exciting new option to consider.

Silver Moss batt and singles (stretched on the niddy noddy)
The extra twist is evident
swatch before washing
Swatch after washing, no pinning necessary.  It just happens!

Thursday, June 4, 2015


There was a point last spring, during an especially-intense string of impossible days, that I decided that I needed to escape to Webs.  My plan was to get through the week, and on Saturday morning get in the car, arm myself with an ample vat of Dunkin Donuts Toasted Almond coffee and procure myself some undyed bluefaced leicester fingering-weight wool hanks.  I had found the pattern Purpleplexy in my friend Casapinka's collection of awesome shawl patterns, and I found the undyed hanks on the Webs site.  I was going to dye my own yarn and follow the pattern.

Perhaps you remember sometime when you were a little kid, and something you had been waiting for with great anticipation failed to happen.  Perhaps you had a meltdown, and rolled around on the ground in protest at the horrific injustice that you had been dealt.  Such was my reaction (on the inside, at least, but I have to admit that tears were close to the surface) when I learned from the nice lady at Webs that they did not keep those skeins in the store, that they were actually several miles away in the next town, only to be obtained by mail at a later time.  Was she kidding?  I was on a mission, and had only that day to complete it! I stood in the middle of the store for what seemed like half an hour, wondering what to do.  Then it occurred to me, I was at WEBS, the yarnaholics' Mecca, and it was not possible to have a bad time there.

I made my way into the warehouse, and eventually found myself standing in front of a section that contained Charlemont, salvation in the form of 60% fine superwash merino, 20% mulberry silk, 20% polyamide sock yarn.  A few skeins of light gray and 5 of natural, and I had what I needed.

As soon as I reached home, I began dyeing the natural skeins, using all that was left of some Prochem One Shot in Lilac, and adding each skein to the pot in 7 minute intervals.  Seven minutes was an unfortunate guess for how long the intervals should be to yield 5 skeins of progressively-lighter lilac. Instead I got one very beautiful skein of lilac, and 4 hardly-perceptively different skeins of blue.  A very nice blue, but not what I was expecting.

So this whole thing was one fiasco after another, but I reframed it into a fun adventure, and began knitting the shawl.  The blue colors grew on me, and now I find them very appealing.

With a lot of blue yarn left, I made some mitts to match.

The blue daisy stitch pattern was placed at perfect intervals between miles of garter stitch, requiring one to pay close attention for only short periods of time.  I was eager to use the shawl, but sad that it was done.  I decided to make mitts, to keep the pattern going for a bit longer.
Thank you Casapinka!

Monday, May 25, 2015

New Summer's Resolution

This is a new summer's resolution: resume a few fun activities like resurrecting the blog.  I stopped writing and reading blogs for awhile, but it's not as if I stopped knitting. If that were to happen I would have to seriously reexamine my priorities in life.

Here is the mess that was my left-over and unused sock yarn stash:

With the goal of making a series of "Frankensocks" (thank you Oogy for providing the correct terminology) I divided the yarn into potential sock kits:
And actually threw out some yarn remnants.  I still feel bad about that.

The contents of one of the bags is becoming a pair of socks:

Monday, January 19, 2015

Knitting in Public

The effect of open knitting is to invite social interaction, as I was reminded recently during a trip to a warmer locale for a few days.  It's how we learn about a new knitting group (if I lived in said warmer locale, I would join them for sure), or that the lady walking down the pier learned to knit when she was a new bride 50 years ago, or that another woman walking down the pier considers my knitting "constructive leisure".  Exactly!  I may have been sitting alone with my yarn and coffee on the pier, but I was not lonely.
Feederbrook Farm Bluefaced Leicester Wool in "Lollipop" and "Sage", newly acquired while on vacation.

My view while on vacation

Another view. I was sitting there in shorts, knitting.  Outside.

Sunday, July 20, 2014

even more perseverance

I thought I had figured out the myrtle leaf lace pattern, but when I looked at the blocked piece closely and compared it to the picture in the book, something was amiss.  I thought that the pattern was a bit wonky, the way half the leaves closed differently than the other half, but figured it had to be that way to make the pattern work.  Wrong! As it turns out, there was an error in the original pattern, and soon after Victorian Lace Today came out in 2006, a correction was provided by the book's publisher.  So, here is the result of attempt # 4.
done correctly
Comparing this to the previous attempt pictured below, you can see that the leaves are now uniform.
done horribly wrong
With these multiple attempts to get it right, I find that I am now very familiar with each row and am no longer consulting the pattern.  It's going rather quickly, in fact.  I can't say that I have fully engaged my default mode network in doing this project just yet.  It still requires me to pay attention without being too taxing.  A perfect distraction when I'd rather not think of the day's challenges.

Saturday, July 12, 2014


Dear Oogy,
Greetings from lace knitting purgatory.
After reaching row 34 and not having the right number of stitches or a clear enough understanding of the Myrtle Leaf pattern to know what was wrong, it was time to start over.
Lace can be ugly.
The same dilemma occurred a few rows earlier on the second attempt, and I was ready to abandon this project for good.  Back to the melon stitch for scarf #3!  But then I opted to read instead of rip, and a section of Tara Jon Manning's book resonated with me: "Exploring our discomfort, although unpleasant and sometimes scary, is perhaps one of the more compassionate things we can do for ourselves.  Maybe you just hate that pattern or that yarn." (p. 18 in Mindful Knitting).  I knew that I actually liked the pattern and the yarn, so decided to give it another chance.  I picked it up a few hours later and was able to do the 12-row repeat with minimal reference to the pattern, so it might not be such a lost cause.   I thought I might derive further encouragement from pseudo-blocking the 50+ rows I have managed so far on attempt #3.
It looks much better when blocked!
I'll send a progress report soon...

Sunday, July 6, 2014

re: mindful knitting

The report in the journal Science last week that people find it difficult and unpleasant to think without doing anything else surprised me.  The media coverage was extensive and one example from the Washington Post is here. At first I thought, in contrast to the outcome of the study, I relish opportunities to be alone with my thoughts.   But then I realized this experience usually involves knitting.  In fact, having nothing to do but think does seem unpleasant.  What a waste of time when one could be pulling weeds, or knitting, or kneading dough.
It is when I have a lot to think about that am drawn to projects that have a mindless quality to them.  I can organize my thoughts, or work through problems easier when I’m knitting a project that I can settle into.  When my current and ongoing obsession with lace began a few months back, I settled on a pattern that became easy to generate without much need for focused attention or alertness.  Two scarves later, I moved to another mindless pattern, and am now working on what I hope will become a third option.  These projects have in common an aesthetic appeal of color and silky texture.   They capture just enough of my attention that I can focus on the knitting for extended periods of time without getting tired or bored.  Perfect thinking conditions!  
Most recent melon stitch scarf
Another scarf, this one in a shell lace pattern made with mink yarn
Often my thoughts are focused on questions about neural function and knitting, hence the meager existence of this poor, neglected blog.  Recently I have been trying to understand the nature of the default mode network, or DMN, that has been characterized as the neural activity that occurs when nothing is happening.  Daydreaming on the bus, staring at people walking in and out of the lobby of your doctor’s office, watching cars pass in front of you while you wait at a red light—all DMN-inducing conditions.  This network is interrupted when a task is to be done: it’s your turn to cross the intersection, the receptionist calls your name, your stop is next, and the DMN is switched off, in favor of the specific circuits needed to complete the task at hand.  When I first started reading about the DMN, I thought it might be something to foster, that it would be good to be able to engage it, to promote creativity and problem solving.  The more I read, however, the more it seems as though it might be better to gain more control over the thought process, and prevent the DMN from taking over.   This is how meditation is described, and there is evidence that experienced meditators have a modified default mode that differs from the DMN that most of us have. 
All this reminded me that I once read the book by Tara Jon Manning called Mindful Knitting about using knitting as a tool for developing mindfulness.  I have dug it out of the bookcase and am considering it anew in light of the DMN.  Perhaps some of the benefits of knitting on mental health are mediated by an ability to control the DMN?  While all of this is roiling in my head, I plan to continue knitting some mildly mind-engaging lace.
Rows 1-13 of Myrtle Leaf Shawl with Willow Border from Victorian Lace Today

Saturday, June 7, 2014

get your sunglasses

As a way to celebrate the beginning of summer, friend H and I went to the Massachusetts Sheep and Woolcraft Fair.  Sometimes you know when you're home, and that was how it felt that day.   We signed up for a wool dyeing workshop and learned some techniques that produce very beautiful color progression.
We could choose between sock and shawl blanks.  This is my shawl blank, dyed with the warm end of the color spectrum because that's where I was at the table and everything else I dye includes green.  It was fun to learn some new techniques from our workshop leader, Rue Meeks-Johnson.  She was so enthusiastic and had some interesting views about how best to work with fiber.  I'm looking forward to using what I learned from her.  She sells beautiful yarn at her etsy shop:

Here is what happened to the shawl blank:

Sunday, May 4, 2014

Lace Update

Six weeks between blog posts.  That's a spring semester, if ever there was!  It's not over yet, so here is just a short post.
My friend's lace project inspired me to tackle one for myself, and after a few false starts, I settled on a scarf version of "Melon Pattern" from Jane Sowerby's Victorian Lace Today.  I used Juniper Moon Farm Findley, a very nice 50-50 wool-silk blend, in the color graphite.  The pattern was at the right balance of complexity and ease to provide a calming influence during these busy weeks.
before blocking
after blocking to 13'' x 72''
melon stitch up close

Monday, March 24, 2014

Retinking lace

Lace has a weird effect on me.  I find lace-weight yarn very appealing, and have acquired a nice collection of it as a result of this.  I find pictures of lace shawls and scarves difficult to resist.  However, I have a habit of starting a lace project only to let it languish indefinitely after a few days of work.  Lace has its challenges, that's for sure!

I recently helped a knitting buddy revise her own abandoned lace project.  She had ambitiously set out to make a large lace shawl for a friend as a retirement present.  It was a very complex pattern, with 3 sections, each with unique and intricate patterns made with linen.  She almost made it to the end of one section before realizing that it would never be finished.  It sat in a bag that way for at least a year, until a few weeks ago when she handed it to me (for the second time, it turns out--I had helped her take out a few rows to fix a mistake awhile back) and said she'd like to take out a few inches to render a simple triangle that could be used by itself as a scarf.
I put in a "life line" a few rows up from the widest part of the section.  The life line turned out to be on multiple rows, but I managed to pick up enough to salvage it.  Then I tinked about 7 rows.  Have you ever tinked a row of lace?  Painful.  Several sessions of tinking, with the aid of a few drinks to make it fun, and I was ready to apply an edge and bind off.
Now it's beautiful.
You might expect this adventure to turn me away from knitting lace.  Instead, I've started (and abandoned) one project, and started another that I'm still working on.

Other adventures:
Milano is offically done:
A duplicate stitch heart, on my sleeve.
And I have recently visited Beaver Brook Farm:

 Those lambs are too cute.

Saturday, March 8, 2014

Not Quite Done

Dear Oogy,
Here I am, all excited to be posting on the blog about my fabulously completed sweater, when I discover that it's not actually done!
I started Milano a few weeks ago, using Palette colors that I have accumulated over the years (thanks to you!).  I chose 13 colors and arranged them as instructed in Carol Sunday's amazing pattern.  I made a few mistakes and switched one of the colors midway, but the overall result is very appealing:
I liked the way the design called for a wide body and reasonably fitted sleeves.  I didn't make mine as wide as the pattern indicated--it's 56 inches around, instead of 71.  I also liked how the neck was constructed:

Look at the nice cabled decreases:
The applied I-cord around the neck stabilized the opening and made the decreases look great.  I used the applied I-cord around the sleeves, as well.
The pattern calls for the sleeves to be knit from the cuff and then sewn into the shoulder, but I take any chance to go the other direction to avoid the seaming.  I determined that I should pick up 4/5 of the stitches to make the sleeve fit properly.
About half way down the first sleeve I realized that I was violating the pattern in a major way, using the  prescribed sequence of colors in reverse order, but by then it was too late.  A mistake made twice becomes a design element, right?

One word of caution, in case you consider making this yourself: There are many ends to deal with.  
I managed it by weaving in the yarn at each color change, and then trimming the strands to about 1 1/2 inches.  The inside is looking a bit hairy, but I'm sure that the ends are secure.

I usually work on multiple projects at the same time, choosing each to suit my mood and energy level.  However, this was the only project I worked on for the past month.  The color changes and interesting edges kept me engaged, while the endless miles of stockinette allowed me to mull over work and family issues.  I'm feeling a bit of withdrawal, and am now eyeing the still-substantial collection of Palette.
It looks done, but it's missing a very important element!
As seen from this picture from Sunday Knits, there's a cute duplicate stitch design added at the end.
I had thought of using duplicate stitch on the elbows to look like patches, but it's only now that I'm remembering that!  Stay tuned.